My work explores the human condition through processes of transformation, tension, and renewal, examining how people and emotions evolve under technological, social, and environmental pressure.

I work primarily with sculpture, combining digital and manual processes: hand modeling, 3D scanning, digital editing, 3D printing and hand finishing. I use technology as a tool to facilitate processes and to implement virtual and augmented reality, but always return to the hand to restore tactility and emotion.

Although my background is in figurative realism, my current direction moves toward abstraction and expressive form. My pieces often evoke states of transition—between digital and physical, isolation and contact, control and collapse.

Ultimately, my artworks reflect on how humanity endures and transforms within systems that constantly reshape it. I am drawn to the balance between precision and accident, machine and hand, emotion and process—where the human mark persists even within the most technological realities.