My current work mostly explores the impact of technology on society, the cyclical nature of history, and transitions—whether historical events, human physical transformations, or shifts in the digital era. Through non-realistic human figures, I invite reflection on where we come from, where we are headed, and whether historical memory truly exists.

I work primarily with sculpture, merging analog and digital techniques—traditional sculpting, scanning, digital editing, and 3D printing. The pieces I create exist physically and as augmented reality holograms, often using bioplastic PLA and resin to connect with contemporary concerns.